The musician and artist Christoph Hess (Solothurn, *1968) is generating dense soundstructures by using manipulated and prepared (Lenco-) turntables. The anacronistic machineries have dual roles as objects and as instruments. The first live impact is as installations, then the sounds start to grab the listeners' attention. The auditive level surpasses the visual one. Therefore, the optical comprehension of how the sound is generated plays an important role.
Hardly using sounds from LP's - if so, t...

The musician and artist Christoph Hess (Solothurn, *1968) is generating dense soundstructures by using manipulated and prepared (Lenco-) turntables. The anacronistic machineries have dual roles as objects and as instruments. The first live impact is as installations, then the sounds start to grab the listeners' attention. The auditive level surpasses the visual one. Therefore, the optical comprehension of how the sound is generated plays an important role.
Hardly using sounds from LP's - if so, they are cut or scotched - the main source of sound are the prepared pick-ups (i.e. sewing needles or strings instead of the diamond or the extended use of rubber bands). The treatment involves the unclean nature of the sounds as part of the music.
Beside the work as a musician, Strotter Inst. is creating sound objects and installations out of turntables. The abbreviation "Inst." can both mean "instrument" or "installation".

A Farmer in a Suit Production